When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively.
Those who survive to graduate become major or minor characters in fairy tales. 10-14)Ĭhainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.Įvery four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Thoughtful, expertly plotted, richly imaginative and entertaining. While bringing in many amusing details (neither girl's money is usable-inflation renders Ada's worthless Amber's coins bear unknown faces) and several serious themes (Ada's heritage is German Amber is Jewish, with a passionately anti-German grandfather, a Holocaust survivor), Griffin keeps events moving briskly and gets the girls home again via a clever mechanism, meanwhile making some satisfying revelations about Ada's later life and its impact on the characters of the present. With each era viewed from the perspective of the other, the wealth of social history here is put into sharp relief, with some surprising similarities (there were drug addicts and unhappy marriages in 1891, too) as well as advantages and disadvantages in each.
In alternating chapters, using parallel experiences, each girl makes friends, endures the rigors of a children's home, and is taken in by the other's parents. On the day of San Antonio's 1891 ``Battle of the Flowers,'' Ada Bauer, chafing under a teacher's criticism of her essay on women's rights, stands over a well and wishes she ``lived a hundred years from now.'' On the same day in 1991, Amber Burak-who's just learned that her parents are divorcing and who's distressed by the children's troubles in a home where her mom is a social worker-makes the same wish in reverse.
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